Salt Lake Acting Company - NPSS

I Want You by Kathleen Cahill

A comedy about a married couple...what they said, what they never said, what they wish they had said. Like the lyrics in Billy Joel's song: “Please open the door, nothing is different, we've been here before. Pacing these halls, trying to talk over the silence.”

Cast:

Creative Team:

CREATIVE TEAM BIOS:

KATHLEEN CAHILL (PLAYWRIGHT | she/her)
Kathleen is a graduate in Musical Theatre at the Tisch School of the Arts. Her  awards include three Edgerton Foundation Awards, the Jane Chambers Playwrighting Award, two Connecticut Commission on the Arts Playwrighting Awards, a Massachusetts Artists Foundation Award, a Rockefeller Grant, a National Endowment for the Arts New American Works Grant, and a Drama League Award. She was a DGF Travelling Master in 2019. Her play The Persian Quarter was nominated for a Steinberg Award (published by Dramatic Publishing). Her produced musicals include Friendship of the Sea (North Shore Music Theatre) Dakota Sky (Olney Theatre) an opera, Clara, two opera/cabarets, A Tale of Two Cities: Paris and Berlin in the Twenties (Maryland Center for the Performing Arts), a comic opera cabaret, Fatal Song (Utah Opera)  a short opera, and The Better Man, (Utah Opera)) Her plays include the comedy Course 86B in the Catalogue (Salt Lake Acting Company) The Still Time (Georgia Rep/ Porchlight Theatre, Chicago) the comedy, Women Who Love Science Too Much (Porchlight Theatre and NPR Radio) Charm ( National New Play Network Festival, Salt Lake Acting Company premiere, Kitchen Dog Theatre, Dallas; Orlando Shakespeare; Taffety Punk, Washington D.C., New Hampshire Theatre Project, among others) The Persian Quarter ( Salt Lake Acting Company, Merrimack Rep.) Harbur Gate, an NNPN commission. (Salt Lake Acting Company, 16thstreet Theatre, Chicago.)   Henry, Louise and Henri (one act) and The Robertassey at Women’s Playwrights Initiative, Ivoryton Playhouse, CT; The Robertassey  was the featured play at the 2019 Seven Devil’s Playwrights Conference and in the New Play Sounding Series at SLAC. Silent Dancer a groundbreaking dance/play premiered at the Salt Lake Acting Company in April 2019. A new musical, LATE, about the effects of gun violence on a small group of high school students, was recently awarded a $60,000 development grant from  Berklee College of  Music in Boston, and is a development project with Moonbox Productions in Boston.: Her play One Stone was a semi-finalist at the Gary Marshall New Play Festival, and the first prize winner in the Women’s Voices Festival at Mad Cow Theatre, Orlando. Retitled Mrs. Einstein, it was workshopped at the Durango New Play Festival and will received a staged reading at New Jersey Rep next month.  Madera Canyon was produced in “The Seven Festival” at Fusion Theatre, Albuquerque.  She wrote the screenplay for the independent feature, Downtown Express.

ADRIENNE MOORE (DIRECTOR | she/her)
Adrienne has a long association with SLAC, having served as director or dialect coach on many productions. Directing credits for SLAC include Rapture, Blister Burn, 4,000 Miles, How to Make a Rope Swing, Circle Mirror Transformation, Hold Please and staged readings of Amerikin and Trees in Their Youth. Dialect coaching for SLAC includes Bald Sisters, Silent Dancer, The Cake, Hand to God, Surely Goodness and Mercy, Streetlight Woodpecker, Tribes and Angels in America. Additional directing credits include A Shayna Maidel (Apex Theatre Florida) Into the Breeches, Clybourne Park, Macbeth, Wait Until Dark, (Lyric Repertory Company) The Thanksgiving Play (Westminster College) and numerous productions for Utah State University. She has provided dialect and text coaching for productions at the Oregon Shakespeare Festival, American Players Theatre, Utah Shakespeare Festival and Pioneer Theatre Company. Adrianne is a member of the Voice and Speech Trainers Association and SDC (The Stage Directors and Choreographers union.)

JENNIE SANT* (EXECUTIVE PRODUCTION MANAGER/PRODUCTION STAGE MANAGER | she/her)
Jennie has been at Salt Lake Acting Company for over a decade. During that decade she has Stage Managed over 30 shows and has been the Production Manager for the past 4 years. Previous NPSS readings include, Beloved King, Sunny In The Dark, The Value, Let Down Your Hair, Daddy Issues and Egress to name a few. Upcoming shows include Bat Boy: The Musical and SLAC’s Sumer Show 2025.

CAST BIOS:
LATOYA CAMERON* (MARY | she/her)
Latoya has assisted with developing new plays at Salt Lake Acting Company, Plan-B Theatre Company, Pioneer Theatre Company, Utah Shakespeare Festival, Seven Devil's Conference, Kayenta New Play Lab, Playwrights' Center, New York Musical Theatre Festival, to name a few. She recently performed at SLAC in The Turnaway Play and You Will Get Sick. Other SLAC performances: Passing Strange, Four Women Talking About the Man Under the Sheet, The Cake, and others. She dramaturg for SLAC's Summer Show: A Beautiful Day in the Neighborhood, and recently co-directed Whitelisted. Grateful to be a part of this process.

TYSON BAKER (BILL | he/him)
Scotty is extremely excited to return to the SLAC stage. They graduated from the BFA Acting program at Utah State University back in 2020. Recent credits include: You will Get Sick at Salt Lake Acting Company; Joseph and the Amazing Technicolor Dreamcoat (Zebulun) at the Eccles Theatre; James and the Giant Peach (Ladahlord) at Hale Center Theatre Orem; West Side Story (Bernardo) and In the Heights (Sonny) at the West Valley Performing Arts Center; Beauty and the Beast, The Nutty Professor, The Light in the Piazza, Hello, Dolly!, Treasure Island, and The Little Mermaid (Jetsam) at The Hale Centre Theatre Sandy. You can also find Scotty performing with the Hale Centre Theatre’s educational outreach program, The Story Weavers, and monthly in the Viva La Diva Celebrity Impersonation and Drag Show at Metro Music Hall. Scotty would like to thank their loving partner for all his support, their generous family for all their time, and their professors and mentors for their patience and goodwill. Lastly, Scotty would like to thank their father, Russell, who has always found time to sit through a show or coach a game. 

RATANAK UNG (READER | he/him)
Ratanak is so excited to be apart of the telling of this hilarious and beautiful new work. He is currently a freshman pursuing a BFA in Musical Theatre at the University of Utah. He wants everyone to know that even in these times of uncertainty, to find the good in all of the big and small things alike. Ratanak would like to thank Jordan Reynosa and the whole SLAC team for this opportunity. “Life goes on. You think it’s going to stop. But it doesn’t. It keeps going.”

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

 SLAC thanks the Jarvis and Constance Doctorow Family Foundation and the Salt Lake County's Zoo, Arts, and Parks program whose support allows our growing audiences to attend the New Play Sounding Series at no cost.

THE TURNAWAY PLAY
by Lesley Lisa Green

PANELISTS:
Josephine Holubkov
Jackie Morgan
Representative Angela Romero
Annabel Sheinberg (Moderator)
Erica Torres

CAST LIST:
Latoya Cameron– Serena, Angel, Kiara
Jazmin Delgado – Luisa, Sofia, Martina
Adriana Lemke – Rhonda, Amy, Brenda
Tracie Merrill-Wilson – Dr. Foster

PRODUCTION TEAM:
Director – Cynthia Fleming
Production/Stage Manager – Jennie Sant
Lighting Designer – Elliot Moore
Projection Programmer – Bridgette Lehman 
Hat Designer – Erika Ahlin

BIOS:

PANELISTS:

Josephine Holubkov
Josephine Holubkov grew up in Salt Lake City and was interested in reproductive justice and political activism from a young age. While attending West High School, Josephine was on PPAU's Teen Council for two years, serving on the Teen Council Advisory Committee for one year. 

During the COVID-19 pandemic, Josephine worked the 2020 election as a grassroots organizer with Planned Parenthood North Central States. In college, she worked as a Communication and Consent Educator (CCE) for three years, and was promoted to be a Project Coordinator during her senior year, where she developed a community-centered framework of survivor support. After receiving her B.A. in Linguistics from Yale University, Josephine is now preparing to apply to veterinary school, and plans to continue advocating for survivors and racial and reproductive justice while pursuing her career.

Jackie Morgan
Jackie Morgan is a seasoned political strategist, with years of experience working on political and issue campaigns, public affairs, and legislation. She has worked in Utah politics for over 10 years, helping numerous campaigns, candidates, and causes including as the Deputy Communications Director on the Mike Weinholtz for Governor campaign, Volunteer Director on Better Boundaries, and Campaign Manager or Senior Advisor for more than 25 local candidates. She most recently served as the National Campaigns Director at Stand for Children where she worked with nonprofit and advocacy organizations to drive educational equity and racial justice across the country. Currently, Jackie is a Senior Partner at Elevate Strategies, where she focuses on helping Democratic candidates in Utah make meaningful progress and change. Through Elevate, she leverages data-driven strategies, mentoring, and support to reshape Utah’s political future.

Representative Angela Romero
Representative Angela Romero represents House District 25 in the Utah State Legislature and is currently the House Minority Leader. She heads the first all-female House minority leadership team in the Utah State Legislature.

At the state legislature, Representative Romero has been a champion for women and children. Representative Romero works on legislation for victim’s rights, human trafficking, and sexual assault and domestic violence prevention. During her service, Representative Romero successfully passed the Prison Rape Elimination Act and the Statewide Sexual Assault and Interpersonal Violence Prevention Program appropriation request of 3.6 million dollars. She also worked diligently to secure funding to end the rape test kit backlog. Representative Romero also sponsored legislation creating Utah’s Murdered and Missing Indigenous Relatives Task Force.

Outside her legislative capacity Representative Romero works with local government, overseeing community programs and initiatives in the Division of Youth and Family Programs, including supervising the YouthCity Government Program and My Brother’s Keeper. Representative Romero is dedicated to ensuring youth have access to the political process and civic engagement.

Annabel Sheinberg
Annabel Sheinberg is a member of The Turnaway Play Team with a long history of working to advance sexual and reproductive freedoms in Utah.  She has a special interest in projects focused on youth development, community organizing, non-profit management and promoting democracy and justice. During her career she worked in several states including 15 years with Planned Parenthood Association of Utah. She is thrilled to partner with SLAC in bringing The Turnaway Play to Utah for the first time.

Erica Torres
Erica Torres is dedicated to uplifting and empowering communities through a strong commitment to social and reproductive justice. She strives to create meaningful change through education and community engagement. With a background in Public Health focused on community health, Erica brings over 15-years of experience in women's health, including a decade specializing in abortion care, contraceptive counseling, pregnancy options education and community health education.

Currently, she serves as an instructor at the University of Utah's School for Cultural and Social Transformation, where she teaches Reproductive Justice. Additionally, she works as a Community Engagement and Training Specialist at the ASCENT Center for Reproductive Health within the Family Planning Division of the Department of Obstetrics and Gynecology at the University of Utah; a role that she is also able to sprinkle in some research to keep her work exciting and impactful.

ACTORS:

Latoya Cameron
Latoya Cameron (she/her) is thrilled to be part of this important reading at SLAC during such a crucial time. She is an actor, singer, writer, director, and an Equity, Diversity, and Inclusion Dramaturg. She recently co-directed Whitelisted which is currently in performances in the Upstairs Theater at SLAC (if you have not seen it yet, you do not want to miss it! If you have, THANK YOU and come again with some friends). You might have seen her at SLAC in: You Will Get Sick, Passing Strange, Four Women Talking About the Man Under the Sheet, Form of A Girl, Stupid Fucking Bird to name a few. Other stages: The Clean-Up Project (named the Utah Review's Top Utah Enlightenment Moment in 2022), Singing to the Brine Shrimp, A/Version of Events, Mama, Ruff!, Different = Amazing, Hedwig and the Angry Inch, (Plan-B Theatre Company), Rocky Horror Show (2014 & 2015), Elf, the Musical (2013), RENT (Pioneer Theatre Company), Shakespeare in Love, Treasure Island, As You Like It, Henry V, Mary Poppins, Much Ado About Nothing (Utah Shakespeare Festival), The Color Purple, Closer (Wasatch Theatre Company), A Christmas Carol (Denver Center of the Performing Arts), Shelter, the Musical (New York Musical Theatre Festival). Directed: Whitelisted (co-directed with Tito Livas), Sankofa, this Journey: Go Back and Get It! (Salt Lake Acting Company and UBLAC collaboration), Town Hall (University of Utah), Title of Show (The Grand), RENT (The Ziegfeld Theater). Thank you for being here tonight.

Jazmin Delgado
Jazmin Delgado (she/her) graduated last May with a BFA in musical theater from the University of Utah! Previous credits include Natasha u/s in Natasha, Pierre, and the Great Comet of 1812 (Pioneer Theatre Company), Annabeth u/s in The Lightning Thief (Babcock Theatre), Juniper in Smoke and Mirrors (Lagoon) and Teresita in West Side Story (West Valley Arts). Jazmin would like to thank SLAC for the opportunity and she dedicates this show to the upcoming election. Instagram: @jazmin.viquez

Adriana Lemke
Adriana Lemke (she/her) is a Salt Lake City based theatre-artist and movement professional. She was last seen on SLAC’s stage in the NPSS reading of Burst by Rachel Bublitz. As fight and intimacy director, her work has been part of SLAC’s productions of Whitelisted, Hairy & Sherri, and Sleeping Giant. Some of her favorite acting credits include Fabiana Cunningham in The Last Days of Judas Iscariot, and Des-Neiges Verrette in Les Belles Soeurs.

Tracie Merrill-Wilson
Tracie Merrill-Wilson (she/her) is always grateful to work with SLAC, and is excited to be among this amazing group of artists. Previous SLAC credits include The Wolves, Rapture Blister Burn, Ice Glen and the 2010 Fearless Fringe Festival (SB Dance’s Yoga Confidential and The Harvey Girls). Other favorite local and regional works include: PG Anon, One Big Union, Lady Macbeth, and Di Esperienza with Plan-B; Eleemosynary, Selma 65, Cheat, and Stop Kiss with Pygmalion; Rings at The Grand Theatre; Dracula at PTC; Rare Bird at the U; The Rainmaker at Hale; Metamorphoses and As You Like It at the Clarence Brown Theatre; La Bete and The Tempest at Theater at Monmouth; and three Shakespeare tours (Taming of the Shrew, Othello, A Midsummer Night's Dream, Romeo and Juliet). Film and TV credits include 127 Hours and Disney Channel’s Den Brother. A member of AEA, she received her MFA from UT-Knoxville and a classical degree from Weber Douglas Academy in London. Tracie also takes great pride in being involved in readings to develop new plays. Endless love to her family, and huge thanks to her Dad for hours spent running lines. 

We are pleased to announce our next New Play Sounding Series free reading of Can I Say Yes to That Dress? by Sarah Shippobotham. The reading will take place on Monday, February 27th, 2023 at 7 PM.

Written and performed by SLAC alum Sarah Shippobotham (SLACabaret: Down the Rabbit Hole, Tribes) and directed by Jamie Rocha Allan (Land of No Mercy) with Alexandra Harbold (Hand to God) as Dramaturg, and Jennie Sant* as Production Stage Manager. Can I Say Yes to That Dress? is described by the playwright as follows: 

Stuck in a wedding dress changing room, a middle-aged woman questions her life choices and what it means to be a woman. This one-person show asks what happens if you feel like you don't fit into the socially accepted norms of femininity and femaleness.

RSVP Here

While admission to the NPSS reading of Can I Say Yes to That Dress? is free, reservations are required. They can be reserved directly via the link above, or by contacting the SLAC Audience Relationship Team at or 801-363-7522.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

Live Zoom reading of Melissa Crespo and Sarah Saltwick’s EGRESS to take place March 29

[SALT LAKE CITY, UT, MARCH 22, 2021] - Salt Lake Acting Company (SLAC), Utah’s leading destination for brave, contemporary theatre, announces the third and final installment of its first-ever New Play Sounding Series Festival. The virtual festival, comprised of three new works written by, directed by, and starring BIPOC artists, launched in January with DADDY ISSUES by Kimi Handa Brown, followed by HAIRY & SHERRI by Adrienne Dawes in February.

The final play selected for SLAC’s festival is EGRESS by Melissa Crespo and Sarah Saltwick. Saltwick describes EGRESS as follows:

You are an expert on safety, but you no longer feel safe. You have just moved to a small college town to teach architecture, but you realize that your nightmares have followed you. And now, uncertainty lies around every corner. EGRESS is a provocative psychological thriller that draws us into the mind of a woman struggling to face her fears.

A multifaceted theatre artist, Melissa Crespo directed the NPSS Festival presentation of HAIRY & SHERRI, as well as SLAC’s 2019 world premiere of Charly Evon Simpson’s FORM OF A GIRL UNKNOWN. She has developed work at LAByrinth Theater Company, New Dramatists, The Lark and many other theatres across the country. Sarah Saltwick is a graduate of the Michener Center for Writers at UT Austin and was a Jerome Fellow at the Playwrights’ Center in Minneapolis. Her plays have been produced or developed by Cleveland Playhouse, the Lark, the Vortex, and many others. EGRESS is currently to have its world premiere later this year at Amphibian Stage in Fort Worth, TX.

“It's such a gift to be able to work on EGRESS at Salt Lake Acting Company. One of my favorite things about making theater is the alchemy that happens within a creative team,” stated Co-writer Saltwick. “Every reading, every rehearsal process, becomes its own unique event. I am craving creative spaces these days, I think we all are. I'm excited to see what is revealed by this process.”

Colette Robert, in her virtual SLAC debut, directs EGRESS. Robert’s credits include Charly Evon Simpson’s BEHIND THE SHEET (Ensemble Studio Theatre) and Nambi E. Kelley’s NATIVE SON (PlayMakers Repertory Company). She is also a playwright, a member of Ensemble Studio Theatre, a New George's affiliated artist, and an adjunct lecturer at New York University.

Appearing in EGRESS are SLAC alumni Austin Archer (SILENT DANCER) as Man and Latoya Cameron (FOUR WOMEN TALKING ABOUT THE MAN UNDER THE SHEET) as Woman. Naomi Lorrain, a Harlem-based artist who has appeared onstage at Ensemble Studio Theatre and Williamstown Theatre Festival, makes her virtual SLAC debut as You. Massachusetts-based Janice Paran serves as dramaturg, Taylor Wallace will read stage directions, and Jennie Sant is stage manager.

The NPSS Festival reading of EGRESS is free to the public and will take place Monday, March 29th at 7pm via Zoom. Attendees can register via this link.

To further SLAC’s commitment to making theatre accessible to all, open captioning will be provided through Otter. Those seeking assistance with accommodation requests can contact SLAC’s Accessibility Coordinator, Natalie Keezer at or by calling 801-363-7522.

SLAC acknowledges the Jarvis and Constance Doctorow Family Foundation for their generous support of the New Play Sounding Series.

Live Zoom reading of Adrienne Dawes’ HAIRY & SHERRI to take place Feb 23

[SALT LAKE CITY, UT, FEBRUARY 16, 2021] - Salt Lake Acting Company (SLAC), Utah’s leading destination for brave, contemporary theatre, announces the second installment in its first-ever New Play Sounding Series Festival. The virtual festival, comprised of three new works written by, directed by, and starring BIPOC artists, launched last month with DADDY ISSUES by Kimi Handa Brown.

The second play selected for SLAC’s festival is HAIRY & SHERRI by Adrienne Dawes, a self-described “Afro-Latina playwright, producer, and teaching artist originally from Austin, TX.” Dawes, who received her bachelor’s degree from Sarah Lawrence College, studied sketch comedy and improv at Chicago’s Second City. In addition to being a company member of Austin’s Salvage Vanguard Theater, her work has been developed and/or produced around the world; including LA’s Sacred Fools, English Theatre Berlin, National Black Theatre, B Street Theatre, and many others. Dawes describes HAIRY & SHERRI as follows:

Hairy and Sherri (Sharon) are an “adorkable” interracial couple living in gentrified East Austin. When they very graciously and publicly open their home to Ryshi, a 12-year-old former foster care youth with special needs, Hairy and Sherri are confronted with the ugly realities of their marriage and “good” intentions.

"I am so grateful for the invitation to develop new work with SLAC. This workshop has provided precious resources (like a professional director, dedicated dramaturg, and stage manager) that can be difficult to come by, especially when self-producing,” said Dawes. “I feel an abundance of support from collaborators (new and old) to grow my play-in-progress. I'm excited to see where this exploration and collaboration leads."

Making her directorial return (albeit virtually) to SLAC is Melissa Crespo, who helmed the theatre company’s world premiere of Charly Evon Simpson’s FORM OF A GIRL UNKNOWN in 2019. Proving to be one of the nation’s most sought-after directors, Crespo has developed work at LAByrinth Theater Company, New Dramatists, The Lark and many other theatres across the country. She is a Usual Suspect at New York Theatre Workshop and received her MFA in Directing from The New School for Drama (where is also a faculty member).

Appearing in HAIRY & SHERRI are Christian DeMarais (Hairy Speyer), Cherrye J. Davis (Sherri Speyer), Jason Veasey (Ryshi Speyer), SLAC alum Trayven Call (Ryshi Only), and Eva McQuade (Vera Castillo). SLAC Playwrights’ Lab alum Phaedra Michelle Scott serves as dramaturg, Wendy Joseph will read stage directions, and Jennie Sant is stage manager.

The NPSS Festival reading of HAIRY & SHERRI is free to the public and will take place Tuesday, January 23rd at 7pm via Zoom. Attendees can register here.

To further SLAC’s commitment to making theatre accessible to all, open captioning will be provided through Otter.ai. Those seeking assistance with accommodation requests can contact SLAC’s Accessibility Coordinator, Natalie Keezer at or by calling 801-363-7522.

SLAC acknowledges the Jarvis & Constance Doctorow Family Foundation for their generous support of the New Play Sounding Series.

Salt lake acting company announces first-ever new play sounding series festival, highlighting BIPOC artists. The Three-play festival begins January 25 with Kimi Handa Brown’s DADDY ISSUES

[SALT LAKE CITY, UT, JANUARY 18, 2021] - Salt Lake Acting Company (SLAC), Utah’s leading destination for brave, contemporary theatre, proudly announces its first-ever New Play Sounding Series Festival. The virtual festival, comprised of three new works, will be presented free to the public in January, February, and March, respectively. Details for the February and March readings will be announced at a later date.

Building on its support of Black Lives Matter and commitment to making meaningful and lasting change at SLAC and the American theatre as a whole, Salt Lake Acting Company specially sought new plays written, and to be directed by, BIPOC artists. A focus on diversity has also been made in casting for the festival.

“For nearly 30 years, SLAC has presented cutting-edge works by burgeoning playwrights through its New Play Sounding Series. But for too long, the voices of so many in our BIPOC communities have been silenced by systemic oppression in the American theatre,” said Executive Artistic Director Cynthia Fleming. “SLAC is committed to playing its part in implementing meaningful and lasting change. It is in this spirit that we present our first ever NPSS Festival. Each of these three plays is written and directed by some of the most promising voices the American theatre has to offer.”

“Nearly a year into this pandemic, we’re continuing to learn more about ourselves and community. We’ve been forced to face a temporary reality where live theatre is not a part of our lives. I’m proud of the work we’ve put into creating digital entertainment, yet I’m even more humbled by our supportive audiences who continue to adapt with us,” continued Fleming. “We’ve been encouraged by the response to our digital offerings (CLIMBING WITH TIGERS, AMERICAN DREAMS)—so much so, that we’ve decided to bring the community three new digital works over the next few months, instead of the previously-announced single. This allows us to uphold what SLAC has always done best: develop new works for our adventurous audiences.”

Founded in 1994, Salt Lake Acting Company’s New Play Sounding Series (NPSS) is the longest-running reading series of its kind in Utah. Past works that have been workshopped in the NPSS to later receive full productions at SLAC (and elsewhere) include SILENT DANCER and HARBUR GATE by Kathleen Cahill, MERCURY by Steve Yockey, STAG’S LEAP by Sharon Olds, THE AGONY AND THE ECSTASY OF STEVE JOBS by Mike Daisey, A SLIGHT DISCOMFORT by Jeff Metcalf, and THE RECEPTIONIST by Adam Bock.

Kicking off the NPSS Festival is DADDY ISSUES by Kimi Handa Brown. In addition to appearing in last year’s SLAC DIGTIAL SHORTS series, Brown is a recent graduate of the University of Utah, where the play had a digital student production last year. The NPSS Festival production will be directed by Summer L. Williams, who serves as Associate Artistic Director at Company One Theatre in Boston. The play is described as follows:

DADDY ISSUES is a new play focused on four college girls and how their experiences with the men in their lives affect them on a day-to-day basis. We follow them throughout their days as they bond with each other, make mistakes, and try to learn to grow during a time when it seems that everyone else's opinion matters more than your own.

“This whole experience is a dream come true. Salt Lake Acting Company has provided me with the best environment to learn and grow. This also feels like a second chance for Daddy Issues, which will be nurtured in a professional setting with wonderful working artists,” said Brown. “I have loved being able to work on this play in its many iterations, especially during a time when theater is scarce.”

Appearing in DADDY ISSUES are Brynn Duncan (Daphne), Helena Goei (Jade), Eva Merrill (Bridget), Nadia Sine (Laney), and Matthew Rudolph (Jackson). Francisca Da Silveira serves as dramaturg, Sammee Jackman will read stage directions, and Jennie Sant is stage manager.

The virtual reading of DADDY ISSUES is free to the public.

SLAC acknowledges the Jarvis & Constance Doctorow Family Foundation for their generous support of the New Play Sounding Series.

New Play Sounding Series
Free Reading

Monday, October 14 @ 7pm

Director: Robin Wilks-Dunn

Actors: Sean Carter, Barb Ganddy, Tamara Johnson-Howell, Dan Larrinaga, Tito Livas*, Morgan Lund*, Nicki Nixon, Lane Richins*, Natalie Keezer

Stage Manager: Katelyn Limber*

Summer, 1998. Once popular, Arrowhead Community Pool has seen membership decline for years. Retired pool president Dorothy Wilson blames video games and air-conditioning. But when new pool president Freddie Rosedale abolishes Dorothy's longstanding alcohol ban and installs a frozen margarita machine, the place comes back to life, and a battle begins. SWIMMING POOL is a dark ensemble comedy about American excess and restraint on the cusp of the 21st Century.

SLAC thanks the Jarvis and Constance Doctorow Family Foundation for their generous support of this vital program. 

SLAC's New Play Sounding Series presents a free reading of STREETLIGHT WOODPECKER by Shawn Fisher on Monday, April 28th at 7:00 PM. 

ABOUT THE PLAY

STREETLIGHT WOODPECKER follows the story of Benji, an undersized Marine who has returned to his Irish-Catholic neighborhood in Philadelphia after being critically injured during battle. He bears not only the medals he earned but also the scars, and now that he has come home he must face the emotional wounds he avoided by going to war.  

When his father’s suicide renders him homeless just days after his return, Benji moves in with his childhood friend Sam. Soon questions that threatened Benji throughout his youth resurface, questions about his manhood and his relationship with Sam, and he distracts himself with booze, pills, and reckless fighting. Meanwhile, as Sam tries to protect him from self-destruction, Benji plots to kill a woodpecker that loudly bangs the metal streetlights in the neighborhood.

Shawn Fisher (Playwright) original scripts include SCOPE, THE CROW SONG, CHUMMING, STREETLIGHT WOODPECKER, and DO NOT HIT GOLF BALLS INTO MEXICO which was a National Finalist for the MetLife Nuestras Voces Playwriting Award and the David M. Cohen National Playwriting Award. HOW TO MAKE A ROPE SWING, which had a rolling premiere at both Salt Lake Acting Company and Cape May Stage, won an Edgerton Foundation New American Play Award, was a national finalist for New York's Urban Stages Emerging Playwright Award, and was a nominee for both the Steinberg/American Theatre Critics Association and the Barrie & Bernice Stavis national playwriting awards. His work has been produced or had staged-readings at Cape May Stage, the Spanish Repertory Theatre (Off-Broadway), the Los Angeles Theatre Center, Urban Stages (Off-Broadway), and Salt Lake Acting Company, among others. Shawn is also the Co-founder and Director of the National Playwrights Symposium at Cape May Stage. He earned his MFA in Theatre from Brandeis University and currently serves as a Professor and Head of Graduate Studies in Theatre at Utah State University. He is a native of New Jersey and is a proud member of The Dramatists Guild of America.

Richie Call (Director) is thrilled to be directing a reading for the first time at SLAC. He was previously part of the cast of SLAC's presentation of Do Not Hit Golf Balls Into Mexico, also by Shawn Fisher. Richie's acting credits include work for American Globe Theatre and Gorilla Rep in New York, Mile Square Theatre in New Jersey, and Pioneer Theatre Company, Salt Lake Shakespeare, and the Old Lyric Repertory Company in Utah. Richie is currently an Assistant Professor of Acting at Utah State University, and he is serving as a Co-Artistic Director of the Old Lyric Repertory Company. He received an MFA in Acting from Rutgers University, Mason Gross School of the Arts and a BFA in Performance from Utah State University.

Stefan Espinosa (Benji) is thrilled to be joining SLAC on this project – there is truly nothing more exciting or artistically satisfying than helping to bring a talented playwrights' new work to life. A native of Tucson, Arizona,Stefan has been fortunate to perform with wonderful theatres across the country. Favorite past regional theatre credits include: The Importance of Being Earnest, Urinetown (PCPA); The Pirates of Penzance, Sherlock Holmes: The Final Adventure, Pride and Prejudice (Arizona Theatre Company); Richard III, Henry V, Wild Oats (Wortham Theatre); Big River, Amadeus, Little Shop of Horrors, Lend Me A Tenor (Old Lyric Repertory); Camelot, The Mikado, Guys and Dolls, Fiddler on the Roof (Utah Festival Opera and Musical Theatre) and Stefan will be playing Thenardier in UFOMTs upcoming summer production of Les Miserables. Stefan has a BFA in Musical Theatre from the University of Arizona, and an MFA in Acting from the University of Houston. Stefan also runs the Utah Festival Conservatory for the Performing Arts and is an adjunct member of the Theatre faculty at Idaho State University.

Jason Spelbring (Sam) is thrilled to be a part of SLAC's New Play Sounding Series. Jason is an actor, director and educator. He is currently an assistant professor of acting at Utah State University's Caine College of the Arts. Theatre credits include six seasons at the Tony Award winning Utah Shakespeare Festival, Great River Shakespeare Festival, Kentucky Shakespeare Festival, Ensemble Theatre Company, Santa Barbara and PCPA Theaterfest. This fall Jason will be directing Pierre Marivaux's The Game of Love and Change for the Caine College of the Arts. www.jasonmichaelspelbring.com

Angela Roundy (Elizabeth) attended Utah State University where she earned her BFA in Acting. While at USU she appeared in such productions as KING LEAR, JAMES and the GIANT PEACH, TARTUFFE, and ROSENCRANTZ & GUILDENSTERN ARE DEAD. Her acting training began at the College of Eastern Utah where credits included THE CRUCIBLE, PICASSO at the LAPIN AGILE, and THE CRIPPLE OF INISHMAAN. Angela also appeared in The Neil Simon Festival's production of COME BLOW YOUR HORN.

Richard Johnson (Matt) is thrilled to make his SLAC debut with a talented and seasoned cast of peers. Richard has been seen locally this past summer in THE ODD COUPLE with Old Lyric Repertory Company. California credits include AS YOU LIKE IT with New Village Arts/Moonlight Cultural Foundation, LOST APOLLONIA and PICTURING MY SISTER with New Village Arts/Playwrights Project, JACOB MARLEY'S CHRISTMAS CAROL with Oceanside Theatre Company, and HENRY IV pt1 and THE TEMPEST with North Coast Repertory Theatre/MiraCosta College.

Lance Rasmussen (Reader) has performed for three seasons at the Old Lyric Theatre Company where he played in THE ODD COUPLE, JAMES AND THE GIANT PEACH, and AMADEUS among others. He is about to graduate from Utah State University with a BFA in Theatre Performance. At USU he has acted in plays including CANDIDA, LEARNED LADIES, TALKING PICTURES, A MIDSUMMER NIGHT'S DREAM, OUR COUNTRY'S GOOD, and TWENTIETH CENTURY. He intends to pursue an MFA in acting.